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PORTUGUESE JEWELS

Discover a selection of traditional Portuguese jewelry, featuring pieces from leading brands and exclusive in-house collections. Jewelry in 19.2k gold and 925 silver, where tradition, quality, and craftsmanship come together.

Use to coração de viana
Use to coração de viana
Coração de Viana With centuries of tradition, the flaming heart symbolizes the warmth of faith, charity, and love for one's neighbor. Simultaneously, it is also a secular symbol of ardent (or burning) love, pure affection, and fertility. LEARN MORE

Use to viana's arrecadas
Use to viana's arrecadas
Viana's Arrecadas These earrings are semicircular or crescent-shaped earrings, inspired by ancient Mediterranean traditions. Their characteristics have been associated with protection, sensuality, and femininity.

Use to brincos à rainha
Use to brincos à rainha
Brincos à Rainha Queen's earrings are among the noblest and most representative pieces of traditional Portuguese goldsmithing. They are characterized by their articulated structure in two parts that move lightly and gracefully. Of uncertain origin, they are the result of the popularization of models that span various eras.

Use to caramujos
Use to caramujos
Caramujos Caramujo is a filigree ornament. It gives its name to circular enameled pieces (the "cocas" of Gondomar or "escaramujos" of Póvoa do Lanhoso), used in earrings, bracelets and necklaces. The name comes from its resemblance to a snail shell. VIEW COLLECTION

Use to baroque jewelry
Use to baroque jewelry
Baroque Jewelry Popular between the late 19th and mid-20th centuries, these pieces, made by hand stamping (a bronze die hammered onto the sheet), produce large but lightweight, hollow pieces accessible to everyone. GET TO KNOW

Use to contas de viana
Use to contas de viana
Contas de Viana Traditionally, people bought them one by one, according to their means, until they had enough to cover the front of their neck. LEARN MORE

Use to lembrança
Use to lembrança
Lembrança Highly prized in the late 19th and throughout the 20th centuries, they represent affection materialized in gold. They were given as gifts by godparents, newlyweds, or family members on the occasion of important life moments. VIEW COLLECTION

Use to view more
Use to view more
The Soul of Filigree The word Filigree combines two Latin terms: filum (thread) and granum (grain). It is an ancient art of patience and precision, characterized by the twisting of two very fine wires of precious metal, subjected to various deformations in a structure and soldered together, creating metallic laces of unparalleled beauty. This technique, known in the agrarian civilizations of the Ancient Near East (1st millennium BC) and spread by the Phoenicians throughout the Mediterranean basin, experienced widespread expansion throughout the world. In Portugal, it was in the northwest of the country, from the 19th century onwards, that filigree acquired its own specific technical and artistic characteristics, consolidating itself as one of the greatest identifying marks of our culture.

Use to certified filigree
Use to certified filigree
Certified Filigree Behind each piece lie unseen guarantees: the feel of the metal, verified by law, and the origin of the work, certified according to manual production criteria. LEARN MORE

Use to mobile bank and family savings
Use to mobile bank and family savings
Mobile Bank and Family Savings Historically, in rural areas and fishing communities, gold served... as a "reserve fund" for families, long before the democratization of banks. More than just an ornament, The gold was carefully and prudently guarded in the chests of the house: in times of crisis, bad During harvest, "fasting" during fishing trips, or illness, these items were easily pawned or sold, ensuring the household's financial security.

Use to most of the jewelry labeled "from viana" was never actually produced in viana.
Use to most of the jewelry labeled "from viana" was never actually produced in viana.
The geographical myth Most of the jewelry labeled "from Viana" was never actually produced in Viana. Although the names of some are inextricably linked to the Viana do Castelo district, the vast majority of these pieces were never made in the Minho region. Historically, production was concentrated in the workshops of Braga and Póvoa. from Lanhoso, Porto and Gondomar, later being sold to Minho, where the local women adopted it as the noblest element of their traditional attire. It was the Alto Minho region that valued these pieces, buying them. ...and displaying them at pilgrimages. One region created them; the other gave them meaning. The road between the two was forged on the shoulders of itinerant vendors, like Reinaldo Arneiro. Through them, the gold of the North reached the various regions of Portugal, including Sintra.